Yhdysvaltalainen punk-rock -yhtye Cobra Skulls on asettanut ”Agitations” albumille julkaisupäivän. 13 kappaletta sisältävä albumi julkaistaan 27. syyskuuta Fat Wreck Recordsin kautta. Lue lisää nähdäksesi vokalisti Devin Peraltan kommentit levystä.
In the past I’ve always written songs sporadically and when it seemed as though a song wanted to write itself, but for our new album, Agitations, the process was a little different because time was a bit of a constraint.
We finished a short tour in February and then I had less than a month to write an entire album. Solitude was definitely a necessity for me to write, even more so than usual, so I moved into a cheap, dirty, weekly motel in Reno (in a room I was told was used for an upcoming film based on the book “The Motel Life”) where I could concentrate, undisturbed.
The result is 13 songs, most of which are amalgams of a score of ideas for songs that had amassed in my mind over the past couple years that I somehow managed to store in my ever-increasingly faulty memory. After three weeks of motel life, I checked out and got together with Adam and Luke. We rehearsed for 8 days before driving to Motor Studios in San Francisco where we had three weeks to record – more than we’ve ever had before.
A couple of days into recording, Fat Mike came by for a few hours. I played him some of the songs on acoustic guitar. He liked a couple, but said that he thought we weren’t ready to record. Discouraging for some, I think it was actually a good motivation for us to make the best Cobra Skulls album to date…and wouldn’t you know it? I just heard from him yesterday after he listened to the mixes and he said it’s our “best album”. I’m not really sure he’s heard both of our other ones, though, so that has to be taken with a grain of salt, but still, it’s a good sign, eh? I for one have never heard of a band to come out of the studio and not think they just made their best album, so it might not mean much that I, too, think this is our best album yet, but I do! The album is called Agitations, because most of the songs are lyrically concerned with, well, things that agitate and bother me. Things like prisons that are operated like businesses in an ever increasingly xenophobic and paranoid post 9/11 society, U.S.