Lord Vicarin uusi albumi julkaistaan toukokuussa
Doom metal -yhtye Lord Vicarin uusi ”The Gates of Flesh” -albumi julkaistaan The Church Within Recordsin kautta 27.5.2016. Kaikkiaan kyseessä on yhtyeen kolmas albumi. Albumin ja sen kappaleiden kerrotaan olevan harkitusti lyhyempiä kuin ennen ja yhtye pitää albumia heidän harkituimpana ja intensiivisimpänä kokonaisuutenaan.
The official release date for the Gates of Flesh is May 27, 2016. Our label, The Church Within Records, can be contacted here: http://www.doom-dealer.de/
The current lineup (Chritus, Hynninen, Kärki, Millsted) is preparing to do a series of live shows around Europe to promote the release.
About the album:
’Leper, you used to be so beautiful
You hope that you are dreaming now, but this is for real’The Gates of Flesh is the third album from Lord Vicar. It was recorded by audio wizard Joona Lukala at Noise for Fiction studio in Turku, Finland, in the Autumn of 2015. The studio had the benefit of a huge live room which gave the band the opportunity to capture a sound that breathes with the ambience of the space, but maintains the sonic weight for which they are rightly known.
LORD VICAR: GATES OF FLESH
1. Birth of Wine (Kärki, 7:35)
2. The Green Man (Kärki, 4:07)
3. A Shadow of Myself (Millsted, 2:42)
4. Breaking the Circle (Millsted, lyrics Kärki, 6: 19)
5. Accidents (Kärki, 4:40)
6. A Woman out of Snow (Kärki, 5:36)
7. Leper, Leper (Kärki, 10:22)The tracking of the album was undertaken by the core of the band – Kimi Kärki (guitars), Gareth Millsted (drums) and the legendary Lord Chritus (vocals), with bass duties being split between Kimi and Gareth. Sami Hynninen is not featured on the album but has been taking care of bass for live shows.
Deliberately shorter than previous albums, the band sought to concentrate their trademark heaviness into shorter, punchier songs and fit the album onto a single vinyl LP. The result is an album that the band consider their most focused and intense release to date.
Whilst this is definitely not a concept album, there is a loose lyrical theme relating to the pleasures and weaknesses of the flesh. Musically and lyrically the album covers a wide spectrum of textures from the fragile beauty of ‘A Woman Out Of Snow’ to the oppressive menace of ‘Leper, Leper’, with subtle details that reveal themselves to the listener with each subsequent listen.
’Mirror, it surely cannot lie to me
This must be what’s left to see
I can’t turn away…’